STREET PHOTOGRAPHY TUTORIAL: BECOMING INVISIBLE

in #blog7 years ago (edited)

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So you saw an interesting scene with the people, the background and emotions all coming together. It’s no doubt the perfect scene to capture. You decided to come closer, raised your camera and the moment you looked through the viewfinder, everyone ‘s looking back at you. Completely halted whatever they are doing. Expressions gone. Picturesque no more. Yeah, it sucks.

In this chapter, I will share with you how you will become unnoticed in the streets and capture images without influencing the scene with your presence. Here are 6 tips to become the invisible man in street photography.

1. Personal space

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A pretty crowded scene where I just casually walked in to take this photo.

Back from the year I was reviewing for my Architecture licensure exam, our professor in Theory of Architecture explained to us what a personal space is and how it affects you, the person next to you and other people’s personal spaces in relation to any other else.

Imagine you are standing inside an empty room when suddenly a stranger stood directly next to you. Feels weird right? Now this time imagine yourself inside a bus or a train full of passengers. You’re literally rubbing elbows with them. Do you feel weird too? Not really. Am I correct?

This is what personal space is. It’s like a bubble around you that gets bigger or smaller in relation to the space you are in. When a person goes near or enters that bubble of yours, your senses get more sensitive and you get the feeling you are being intruded.

Huge empty space= huge bubble, Smalls crowded space= small bubble.

Now let’s relate this to being invisible in street photography. Basically, a person waiting alone at a bus stop has a huge bubble. The moment you walk into this bubble, that person can feel you. It’s instinct. If you’re in a crowded place, the bubble gets smaller. This means it’s easier to get closer to the subject without them noticing you. To cut it short, for you to become invisible, do not invade their personal space.

2. Just wait till it neutralizes

Let’s just say: Oops! Too late, you’ve stepped into their personal space and that person is now aware you’re there and he/ she's staring back at you.

This is what you're gonna do: You wait.

Eventually, as long as you’re not doing something weird, that person will just ignore you and will go back to whatever he's doing. When things return back to normal, that’s the time you click for a photograph.

This also works well with a group of people. Once they have noticed you, just act normal. Bring out your phone and pretend you are calling your mom or something. Eventually, they wouldn’t mind you’re there, so be patient and wait until they go back to their stuff. Soon you’ll become invisible again. Once they turn their heads away from you, that’s your chance!

3. No Sudden movements and if it failed, no eye contact

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This is the effect of the Pokemon Craze. They're too busy catching the elusive Bellsprout for them to notice me.*

Anything sudden like walking towards your subject too fast or raising your camera too quickly will catch attention. As much as possible, try walking up to the scene very casually as if you have no intention of taking photographs. Be normal and don’t create distractions. Think as if you are there for the same reason that they are there. If it’s a café that your subject is in, walk in there as if you are buying a cup of coffee. Once you are in shooting distance, just observe for a while without getting any attention. And as you do, compose the image in your head, set your camera settings so as the scene comes clear, you just basically snap a photo.

Sometimes as careful as you are, some people will just notice you no matter what. In cases like this, always avoid eye contact. For some reason, an eye contact is enough to tell somebody your intention. The moment your eyes meet, it’s as if you already said: “Hey, I’m about to take your photograph!”

4. Pretend you are photographing something else

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This photograph was taken by panning my camera initially pointing to the pond on the right going to the left.

Think of it as if you are a tourist that’s just wandering around town and taking photographs of everything. One way you can execute this technique is just walk up to your subject without making any eye contact. Just look at something else behind them. Then raise your camera, take the shot, then walk away still without eye contact. You can take a few more shots, maybe chimp a little bit but just do not look at your subject directly. This move or technique confuses your subject into thinking you’re just taking a photograph of the background or whatever that is near them.

I advise you use wide lenses around 35mm or wider. This way you can get your subjects inside the frame without actually pointing the camera directly to them.

Another way to look invisible is to pan your camera. Let’s say your subject is somewhere in front of you. Compose the image earlier in your head, then bring your camera to your viewfinder and pan it from left to right or vice versa. The moment you reach your desired composition, press the shutter. Again, no eye contact.

I know you risk exposing yourself in the first place, but the key here is to make them believe you are not taking their photograph but something else near them or next to them.

5. Silent camera

Having a quiet camera will help you photograph your subject at a close range and it will also allow you to take a photograph multiple times without your subject noticing you. Although there are still a lot of photographers who wouldn’t mind cameras with a loud mirror slap, many street photographers opt for cameras that have little to no shutter sound or those which you can set to silent mode and eliminate the beeping sound when the lens focuses. It helps them to fire the shutter without distracting the scene.

I personally use a Fuji X100T and set the shutter to mechanical and it produces a very faint noise. In fact, I wouldn’t even call it a “noise”. When it comes to my film cameras, I prefer using rangefinders than slr’s. Rangefinders don't use mirrors unlike SLR cameras which produce that loud noise commonly called the “mirror slap”. One slap of the mirror can be enough to reveal your position. Some don’t mind it but if you want to work the scene while maintaining a close distance to your subject, get silent.

6. Compact and/ or stealthy camera

Like silent cameras, compact and stealthy cameras exploit humans senses.

Small cameras are least to be noticed because of its size and normally bigger cameras and lenses draw more attention to you which will definitely expose you sending you to your way to the walk of shame. Also, in the eyes of non-photographers, bigger cameras means professional cameras. In other words, big cameras pointing directly to them will ring the alarm.

Stealthy cameras are those cameras that will blend well when you bring it out in the open. I don’t really believe it has to be a black colored camera as I’ve used a silver and champagne colored cameras without any problems. As long as it’s not too flashy and screaming for attention, you’ll be fine.

BONUS: Shoot from the hip

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Shot this with my Leica M6. This guy has that stern look and I want to exaggerate that look by shooting from a low angle. I'm lying. I got intimidated by his look so I shot it without raising my camera as it hangs around my neck.

Honestly, I do not recommend this because it has a very high risk of ruining your composition and it makes you lazy, but because I am guilty of still using this technique then I guess I’ll share it to you.

This technique probably has a very good chance of you getting away with that photograph but you have to be very skillful of framing your shot without looking through the viewfinder. You can fire multiple frames and hope you get a right shot but it’s only ideal if you’re using a digital camera. With a film camera, be prepared to burn some useless shots. Also, shooting from the hip makes you lazy and it’s a very bad habit to have. I’m trying to avoid this technique.


Alright! That concludes some techniques and #tutorial that I want to share with you. They all prove to work very well and with just a little practice, soon you’ll be the invisible man on the prowl for the next victim.

Did I miss anything? If you have one, share it in the comments and maybe I can make a part 2 of this topic.

Alright, now, get yo a$$ up and shoot the street!

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Great tips! Thanks so much for sharing this. I just know this is going to save my street photography! Haha

That's wonderful! I'm just glad I'm able to help out! But I've seen your pictures, you won't be needing my tips! haha

really like how you capture your photos of others mostvulverable thank you

With love,

harj : ) xoxo
Abstract artist
(My latest artwork is "Government")

Really appreciate what you said! I'm glad an artist like you recognizes other art such as what I do.

By the way, left a reply on your "Government" post.

great tips. There are times when I want to capture the moment but I feel uncomfortable taking pictures in public especially when people look at me. Will probably need some practice

Thanks bro! This list can actually help you then! And don't worry, we all go through that phase. Street photography is tough at first but as you get used to it you enjoy it more and more.

Great street photo series

Your professor does he/she see angels?

Sir Angel Hoa can see angels!

Ohh wrong human.

Great tips! Thanks a lot. I am still too shy to capture people. They look at me and I feel....clumsy. Besides, when people know they are capturing, they are not...comfort and normal anymore.

Yeah. I know that feeling. Plus you always wish that they do not confront you. Haha
But you know, just keep doing it and everything will start to become easier and somewhat much comfortable. Plus you also develop your social skills!

All hail Leica.. Damn! What a great camera :)

Haha yeah. But I prefer the voigtlander bessa nowadays. But those leicas, damn sexy. Hahaha

Nice article-- The bubble space makes sense- it's relevant to everyone's bubble space. I was once in a move theater alone and an old man sat right next to me. I got up and moved- what a weirdo.

Haha exactly right? We are just wired that way. Probably our brain's way of sensing danger

Awesome tips! what I usually do is hold my camera at chest level (with sling) and pretend that you are just holding it.. Then, click the shutter button all u want.. :)

Yeah man. Only problem with that is there is only a slim chance of getting the shot right. BUT better than nothing, right. Haha

lol. you're right.. but you can use those tilting lcd panel from the camera.. you can look down instead of aiming the camera directly at the subject..

Yeah. Unfortunately my camera doesn't have that tilt screen plus I often shoot with my film camera so I'm both screwed. Haha it is what it is.

Yep. as long as you get the shot you wanted. :) I am following you. I am also a fan of street photography and b&w..

Thanks man! Followed you back! Your photos are quite impressive!

Sneaky Ninja Attack! You have been defended with a 12.91% vote... I was summoned by @mostvulnerable! I have done their bidding and now I will vanish...Whoosh