The artist who merges the past and the future through NFTssteemCreated with Sketch.

in #cryptocurrency10 months ago

Zebu Live London 2023 was an exploration into the Web's future. For all Web3 lovers, this remarkable event fulfilled its promise of being the highlight of the year.

Attendees had the opportunity to learn about the cutting edge fields of blockchain, NFTs, AI, and the Metaverse over the course of two days, as well as to attend high-level presentations and interact with distinguished specialists. Cryptonews was present at the October 5–6, 2023, event, which was held at London's Woolwich Works.

NFTs were one of the main topics discussed at the conference. In recent years, these non-fungible tokens have also taken over the art world, opening up new opportunities for producers from a variety of backgrounds.

Among these trailblazers is the sculptor Lydia Smith, whose pieces eloquently blend elements of technology, spirituality, the past, and the future.


image.png

Lydia Smith describes herself as a sculptor who works in both virtual and real environments. She always starts her creative process with a location meditation, which puts her in a state of creative flow. Subsequently, his sculptures develop in response to ideas about the future, technology, spirituality, human connection, ancient history, and science.

The way Lydia Smith blends the real and virtual worlds is what really distinguishes her work:

"After the sculpture is complete, I scan it with a special sensor that distorts the sculpture into a completely new piece of digital art because it doesn't capture the object precisely."

Here's when the NFT factor enters the picture. After that, Lydia Smith uses this digital work as a starting point and works with painters to include their works into the digital sculpture. This results in jointly developed NFTs, which in turn serve as the basis for more tangible works:

Regarding the collections, every sculpture is made in nine copies: three made of plastic, three made of bronze, and three made of marble. Digital sculptures from NFT are distinct.

As a result, the works are grounded in both digital and real space.

It has been an interesting trip for Lydia Smith to become acquainted with the world of NFTs. She started out as an artist who sculpted torsos and portraits while working on films like Doctor Strange, Star Wars, and Game of Thrones. She became aware that she was concealing her genuine artistic form beneath her abilities, though.

Inspired by a buddy who is an artist, James Rogers, I experimented with a scanner:

"I used a scanner to quickly sketch in clay for thirty minutes." It was awful, in my opinion, and a failure. Nevertheless, the object was not correctly picked up by the scanner when I scanned it.

She viewed the first results as a failure, but the scanner's distortion produced an odd object that resembled a floating antique sculpture and had an odd stone at its head:

"I so looked up an old Indian fire-starting stone used by Native Americans on Google after finding a stone with a hole in it. Then, when technology transported me back to our prehistoric past, I began to question what it was attempting to teach me.

Themes including ancient history, science, spirituality, and human connection are among Lydia Smith's many influences. He draws inspiration from a wide range of artists, including Picasso, Dali, Jeff Koons, Barbara Hepworth, and Isamu Noguchi.

His research and his inquiries about the past, present, and future of humanity are reflected in his works. She shares her wonderful and poetic universe and expresses her creativity through web 4.0 technology.

Lydia Smith stumbled across the world of NFTs when she was listening to the podcast "Talk Art." She came to see that her digital sculpture was a piece of art in itself, even though she had only considered it to be a phase in the process. She subsequently started studying NFTs and started selling her artwork on the Minty platform.