Golden Autumn Graphics-2

This is not a separate shoot, but a parallel one with the reportage street from the last post. It turns out that you can shoot graphics and street at the same time. Graphics are probably the only genre that I have been able to shoot in conjunction with any other genre in recent years.

Previously, I needed a certain attitude to see graphic plots, but now I'm on such a big global creative wave, where graphics are included on a regular basis.

I have already said that there are frequencies or creative waves of both a global nature and small sub-frequencies or sub-waves.

If we talk about global ones, then this is a prism of perception, a principle, a vision.

That is, I can shoot in different genres, which are smaller waves, but everywhere there will be the same principle – graphics.

For example, I'm shooting a day or night landscape and almost everywhere in the plot there will be an emphasis on graphics – and these are certain color schemes, composition and a special approach to the scene being shot.

There may be another big wave in the form of aesthetics, where the plot will be as close to the classic as possible, the composition is academic, everything is clean and looks stocky.

And on the frequency of aesthetics, you can shoot street, reportage, graphics and landscape.

So that you understand, you can shoot even in the portrait genre on a large landscape wave.

And portraits can also be shot at a graphics frequency. The difference is in the approach, in the vision, in the prism of perception of reality.

So, for more than one year I have been on a high frequency of graphics, on which I shoot in different genres – streets, reports, landscapes, dugouts, courtyards, graphics.

Specifically, in this post there are many ordinary aesthetic pictures where the leaves are taken in close-up.

But there are shots where these leaves are served with a graphic sauce.

And these are certain kinds of techniques.

For example, a blurred foreground of yellow leaves may look like a flame.

So it turns out that on the global graphic creative wave, the genre of graphics is always available.

No matter what I shoot, I will always be able to see any graphic plots in parallel and regardless of any genre.

This is a rather useful and interesting principle of seeing the world, which allows you to take many unusual and exciting photos.

If you have any questions about genres, waves of all kinds and perceptions, then I will say right away – it all has no clear boundaries, everything is blurred and relative.

There is no such thing that if I am on the chart now, I do not see and do not capture the aesthetics. It can all intersect, overlap. I am speaking only judging by the statistics for many years in a global way.