all this is about my life [lukasgraham]

LUKAS GRAHAM

At first glance, this story might seem more suited to Brooklyn, Compton,  or even Dublin than Copenhagen, Denmark. There’s a community in the  center of Copenhagen called Christiania. In this 30-block radius, there  are no cars, streetlights, or police. A personal toilet and running  water were considered luxuries in the early nineties. Dogs roam the  cobblestone streets without leashes, and plumes of smoke billow out of  the windows. However, people are happy, and they help each other out.

Lukas Graham calls Christiania home. It’s why he makes the music he does. It’s why he is who he is.

“We were those kids who were always dirtier than the other kids because  our scope away from home was so huge,” he explains. “We weren’t poor. We  just didn’t have enough. When you grow up like that, you end up showing  more than you need to. I do that in my music. Instead of making up a  pretty little love story about some girl I like, I end up singing about  my boys in jail and how I feel. It’s easier for me to be honest about  who I am than to start making up some fairytale.”

Mom worked nightshifts cleaning, while dad repaired and refurbished  antique stoves and ovens. In a tiny house where he was “encouraged but  not pushed to perform,” Lukas fondly recalls a family tradition that  shaped his ear.

“One of the big things was the musical kitchen and dining room,”  he says. “When you were cooking, cleaning, or washing the dishes, you  could choose your favorite album and play it almost as loudly as you  wanted to. We had everything from The Beatles and Rolling Stones to  Gregory Isaacs, James Brown, Al Green, and The Prodigy.”

At eight-years-old, Lukas joined the Copenhagen Boys’ Choir and  developed not only an appreciation for classical music but a finely  trained voice. He honed that instrument touring the States and Europe in  the years to follow. In between, he became fascinated with his father’s  Irish roots and the country’s folk music. Coupled with hip-hop—as he  admits, “Dr. Dre’s 2001 changed my life”—he began to architect a singular style that transcended international barriers and cultural boundaries.

“Folk music and classical mixed with soul, rock ‘n’ roll, and rap would  be my main base of operations,” he says. “What I can do is make you  laugh, dance, and cry within 60 minutes of a show, if you let me. It’s a  mix of poorer musical styles. We get down and dirty, and we talk about  all the little things.”

After spending six months in Buenos Aires to clear his head and get away  from the darker side of his hometown, Lukas brought that sound back to  Christiania in 2010 where he joined forces with his writing team Future  Animals [Stefan Forrest & Morten Ristorp]. Writing lyrics first and  telling stories, the style felt alive. It defined his 2012 self-titled  first full-length album, which would go quadruple-platinum in Denmark  and yield three smashes—“Drunk In The Morning” and “Better Than  Yourself” would go #1 and “Ordinary Things” peaked at #2. All in all,  cumulative single sales in Denmark would surpass 150,000 with nearly 40  million collective streams.

That success translated to the rest of Europe. In Germany, “Drunk In The  Morning” became a staple and the record reached #1 on iTunes. “Happy  Home” would give him his third number one in Denmark in 2014 and went  multi-platinum in Norway and Sweden. Also known for a phenomenal live  show, he’d go on to play countless sold out shows and earn festival main  stage spots alongside his “boys” in the band, Mark “Lovestick” Falgren,  Magnús “Magnúm” Larsson, and Kasper Daugaard, becoming the most popular  live act in Denmark. Christiania is always on his mind though.

“I made it out,” he sighs. “I did something with my life. When my father  passed, instead of just mourning, I built my mom a house. I got myself  an apartment a block from Christiania. All of the same plumbers,  carpenters, and gangsters meet me at that local bar. I’m not going to a  fancy club and buying champagne.”

Sighing, Lukas interjects, “That’s not to say I haven’t done that,  because I have. I maxed out my credit cards, and I was stupid with the  money that followed the fame. I was lucky to quickly realize that wasn’t  the goal.”

He has no problem being candid and admitting mistakes. That kind of  honesty and heart attracted the attention of Warner Bros. Records who  signed him after a 2013 Los Angeles showcase. His upcoming U.S. release,  already a hit in Scandinavia, captures the spirit that turned everyone  into believers in the first place and serves as his proper introduction  stateside.

First single “7 Years” begins with his emotional delivery and a soft piano line. He looks back over his life and what’s ahead.

“I couldn’t go any further than 60 because my father died at 61,” he  admits. “I need to pass it to believe it. It’s a song about growing  older. I’m also coming to a realization that being a father is the most  important thing. My biggest dream is not to be some negative old dude,  but to have my kids’ friends say, ‘You’re going to visit your dad? Say  hi! He’s fucking awesome.’ I had a perfect father. When he died, all of  my friends were like, ‘It’s hard for me to feel bad for you, because I  just lost one of my best friends.”

“Mama Said” begins with a children’s choir and bright production. As  the verse kicks in, Lukas weaves together a confessional narrative that  culminates on a striking and soulful refrain.

“One time, the kids in school made fun of me because I was wearing the  wrong jeans,” he recalls. “I bought them with my own money, and I was so  proud. My mom said, ‘Don’t listen to those rich kids. We’ve got a bed  and food. Imagine how many children don’t have that.’ My dad told me,  ‘You’re going to be laughing at them one day, but don’t point back.  Don’t get even or mad. Keep walking and smiling.’ I never want to lose  sight of my roots. I know where I’m from. I’m also not going to forget  where the fuck I’m going.”

Dad would be proud, because his son’s story has the power to change  lives. “I want people to walk away becoming music lovers,” Lukas leaves  off. “A lot of artists want the riches and the fame. I want to tell  stories you can put into the context of your life.” 

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