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RE: Who's Paying? Funding Sources in the Cultural Sector
Maybe that hypothetical wasn't the best example... I like your idea about an automatic percentage of donations going to operations, but I wonder how that would affect the amounts people donate. Especially for donation packages built around the costs of specific projects or opportunities, would donors still want to give the same amount (and thus not fund the project to the desired degree) or would donors be willing to give extra to fulfill both the project's needs and operations allocation?