Petrified Forest

Human Bark ‘n
Beautyless hide from beauty
Bow your eyes ‘n heads to the duty of the dead’s
Suck the ground
Breathe life into the dead dinosaurs
Let the past demons rear up their heads ‘n belch fire into the air of now
The rug’s wearing out that we walk on
Soon it will fray ‘n we’ll drop
Dead into yesterday
Must the breathing pay for those who breathe in ‘n don’t
Breathe out
There’d be no game, brother, if no one would play
As for your games count me in all that can see,
Breathe in ‘n out hungry today ‘n eat hearty tomorrow
Or eat away ‘n be eaten some day
No flowers shall grow where oil shall flow
No seed shall sow in salt water
If the dinosaur cries with blood in his eyes
‘n eats our babies for our lies
Belch fire into our skies
Maybe I’ll die but he’ll be rumbling through
Your petrified forest
(Don van Vliet, 1970)

“No flowers shall grow where oil shall flow” .. here we have Beefheart/Don van Vliet at his environmentalist best. When I was 14 we took a family trip in our silver van out west driving for hours and hours until we came to New Mexico when the landscape began to change. We drove to the Petrified Forest National Park and saw the Painted Desert and I can assure you Don van Vliet traveled there too. Captain Beefheart is a great poet of the western deserts and Los Angeles. I heard in an interview that he felt Bob Dylan was second rate … perhaps too straight forward for the Captain. Van Vliet preferred Dylan Thomas and Philip Larkin, his was a poetics of experience and the mysticism of nature, leavened by a salty down-to-earth humor and hilarity that runs throughout his work. Basically it seems to me that along with Dr. John and Van Morrison, Beefheart formed a triumvirate of psychedelic literary white bluesmen mining their relation to African consciousness and the South. Beefheart, as he sings on Sho Nuff 'N' Yes I Do, was “born in the desert, came on up from New Orleans”.

Ancient Petroglyphs at the Petrified Forest National Park in the Painted Desert
If we draw lines separating culture and ethnicity in the name of authenticity, we lose out on the hybrid forms we can find when we celebrate each others' heritage. Beefheart, Dr. John, Van Morrison and others were innovative in their use of the blues medium. By claiming it as their own they enriched the form. The ancient petroglyphs on the rocks of the desert tell the story of a lost world and contain secrets we can only see if we tune into their wavelength. The Bundy Bros of the world who seek to desecrate and wipe out these signs are the true primitive souls whose eyes are closed, who breathe in but don't breathe out. They are lost because they cannot see the beauty of the world and only seek to claim and destroy it.

“The rug’s wearing out that we walk on” .. here Beefheart is warning us that death will come for us all and that we are destroying the planet in our stupidity. “Must the breathing pay for those who breathe in ‘n don’t Breathe out” .. we are chained to the zombies who have no soul, the extractionist financial elite who are killing the planet because their greed is stronger than their will to live in a beautiful world for everybody. “If the dinosaur cries with blood in his eyes ‘n eats our babies for our lies” - here Beefheart is saying let it come down, if we must destroy the Earth, let the wild forces, the awakened dinosaurs and dragons, tear down the “petrified forest” of man's inhumane skyscrapers. Ashes to ashes and dust to dust.

an interview with Beefheart from 1971

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