Textual restoration of a video-essay by VertigoPolitix which was censored by YouTube. Part 1.

The video youtube.com/watch?v=P3WGRcB5VkM was removed from YouTube (allegedly because the author(s) "VertigoPolitix" closed down their account themselves). was titled "The Emasculation of White Male Identity".

It argued that ALL major movements and decisions in the past 100 years had one ultimate goal: to make European White males become listless, powerless and, eventually, extinct. As the interesting narration appears to be available in text-form on the web, I will transcribe the entire narration here. I repeat that the author is "VertigoPolitix", not I.

BEGINNING OF MY TRANSCRIPTION OF THE DELETED VIDEO.

»[Voice of Noel Ignatiev (no picture of his shown):] "The task is to bring this minority together in such a way that it makes it impossible for the legacy of Whiteness to continue to reproduce itself." [Voice of narrator:] With only a cursory examination, one can readily observed an overarching theme (that now pervades all Western advertising, television, and every manner of visual media): a passing glance immediately reveals (in stark contrast to those all around him) the painfully obvious, almost effete, New White Male. In the vast majority of productions, he is portrayed as a weak, vacillating caricature, always in need of being clued-in by the female superiors around him, always deferring to the instructions and moral directives of specifically-placed minorities, whenever his character is exposed. Additionally, he now must seek guidance from this very non-White protagonists whenever a univeral perspective is sought, at which moment he is spoken down to with undertones of condescension and contempt (and sometimes even bitter hate). If by pure luck, this lone white half-man does indeed win the girl, or has been transformed into some good-guy killing-machine [here, a picture is shown which PERHAPS (I'm not a movie-expert) shows Brad Pitt in the 2014 WW2 film "Fury"; against this backdrop, I am not sure whether I should transcribe what I hear as

(good-guy)-killing-machine,

or as

good-guy-(killing-machine),

if you know what I mean. LG,I ],
he must absolutely suspend his heroic stature whenever in the presence of a female (or minority-figure), whose superior natures cannot be questioned. Nor does it matter what narrative format, or story-line, is being presented. The Western White Male is forever in need of repair from this 'Toxic Masculinity' (as defined by any and all around him.)

[Linguistic note: I'm not a native English speaker, but I'm reasonably sure that it is an infelicitous formulation to say "in need of repair FROM his Toxic Masculinity". This apparently is not a clear mistake, but the "from" after "repair" tends to be used to indicate WHO is doing the 'repair', not WHAT the cause of the need of repair is.]

The social-engineering-goal behind this alarming policy is obvious: by eliminating White Masculinity altogether, you remove the White Male from reproductive dominance. Once this is achieved, it then only takes a few short generations to exterminate his race completely. The target-audiences of this agenda are:

(1) Ethnic-European females, particularly those with aspirations of family-building, who will be forced to perceive their natural sexual mating cohort with disdain or suspicion, and thereby consider non-white mating choices).

[Stylistic note. I think that the three adjectives in a row within the term "natural sexual mating cohort" are excessive, in particular as "sexual mating" is quite pleonastic. Saying 'natural mating cohort' would be enough to convey the intended meaning. LG,I]

(2) non-white ethnic enclaves, specifically those with high ingroup-awarenes that are waiting to assert their cultural dominance when soical barriers have been sufficiently weakened;

(3) ethnic-European males themselves (whose morale and defensive instincts were slowly been worn-down, eventually succumbing to this persistent form of soft Psychological Warfare). The power of visual media to collectively steer entire populations is well-documented. It is no wonder that by the end of the First World War, certain groups began fighting for control of this culture-making vehicle. Over a century of subtly perfecting techniques, the visual-cultural matrix (and its component industrial complex) has had a virtual chokehold on the re-development of Western Civilization.
[ This is a (correct) example of the comparatively rare use of 'component' as an adjective. LG,I]

And the sponsors of its new narratives have nothing but a sheer, all-encompassing hatred of the White Male (his natural disposition, his historical achievements, intellectual acumen and, in particular, his masculinity (which has been the glue that held Western Culture together for millenia). This quasi-military campaign being waged against White Male populations will not end. It has been designed from the outset with a singular goal its cultural-marxist (and neoliberal) generals, camped in their production-studios, special committees and boardrooms, simply no longer have any connection to the cultures and peoples from which they descended (being either alien to European ethnies, or so deracinated, and global in their outlook that their open treason now no longer matters to them.
[Linguistic note. Interestingly, here, "camped" is not the preterite of 'to camp',
but rather the past-particle thereof, used adjectivally. LG,I]

It is high time to understand that this point of issue is 𝘵𝘩𝘦 core premise behind everything happening in the Western culture-war, at present.

[

Remark. It is quite rare that I encounter an English #idiom I don't know already, but I didn't know "point of issue". I was suspecting at first that the narrator had misspoken and meant 'point AT issue', but no, it very much does exist: I reproduced another example of the idiom as a screenshot:

]

This cannot be emphasized enough. Backwards-engineer all the social (or cultural) phenomena from the past fifty years and it is overwhelmingly clear what this has been all about. If Europeans can ever reassert their dominance in the nations and homelands, that is, their birthright, then White Masculinity must be venerated and nationalized again, pushed into white masculinity must be venerated and nationalized again, pushed into every social contact vector with extreme prejudice, and become the central functioning-mantra within our own circles again.
[I couln'd make sense of the term "social contact vector". The narrator might mean '(social-contact)-vector or social-(contact-vector), neither of which appears to be a usual term. Of course, taken literally, the term makes sense: a 'social contact vector' literally means bearer/carrier of [possibilities for] social contact'; examples are: sports clubs other clubs, ballets, choirs, drama groups, universities, internet media. LG,I]

It must become our new religion, our sexual ethos and weapon, if we have any chance of success in the upcoming battle being prepared for us. And god knows we shall have it.«

END OF TRANSCRIPTION OF THE DELETED VIDEO.

In a second part, I will (hopefully) restore all images which are shown during the video-essay, thus creating some sort of static image the deleted video. I think that this is legal (for I do not simply re-upload my saved version of the deleted video, but rather document it, in another form (text), out of scientific/historiographical interest).